STRICTLY 18+
Every great story begins with a question, and in this case, it’s a compelling one: “How did a band of musicians from Adelaide build a global following from zero to approaching 1 billion views in just over 5 years?”
From the support of friends and family to generating a global audience of more than 1 million fans, including 880,000 YouTube subscribers and over 270,000 followers across social media, the journey has been extraordinary. “I’d like to say that what has unfolded these last 5 years was the result of some sort of master plan; the truth is, it wasn’t. What’s transpired since November 2018 has been as organic as it was unexpected,” Constantine Delo, co-founder, leader, and bass player for HSCC, explains.
HSCC has achieved this remarkable success with zero support or endorsement from traditional gatekeepers and tastemakers. Their growth has come from one of the most powerful and authentic marketing tools available: personal recommendation. This organic growth has been fueled purely by fans who have shared their love for HSCC with friends and family.
HSCC’s following has grown from 100 views in Adelaide to 1 BILLION views from all corners of the globe. The band has also proven that they are not just another online sensation, with live audiences jumping at the opportunity to see them, resulting in repeat sold-out shows in every major city across Australia.
Testimonials:
“This is a great cover! Good job” — Christopher Cross, responding to “Ride Like the Wind”
“Super. Guys know my part better than I” — Bill Danoff, Starland Vocal Band, responding to “Afternoon Delight”
“Nice cover guys! I was the guitar player in Miami Sound Machine back in the day.” — Wesley Wright, Miami Sound Machine, responding to “Conga”
“Awesome, I really love this band and have shared some of their tracks in the past, but this one – Wow, I feel very honored.” — Leo Sayer, responding to “You Make Me Feel Like Dancing”
“Great Band… Vocally Exceptional… A Must See.” — Russell Hitchcock, Air Supply
“Simply Fabulous” — Mick Fleetwood, Fleetwood Mac
